Blackmagic Studio Camera 4K

The Blackmagic Studio Camera features a compact magnesium allow chassis that is both lightweight and strong, making it well suited for use in the studio or in the field. The camera body features a rubberized coating that gives extra grip when changing lenses. Its lightweight and compact size makes it easy to transport and be used in tight spaces.

The large 10 screen has a resolution of 1920 x 1200, letting you easily view your shots while operating the camera. The large detachable sunshade protects the screen from glare and creates your own private viewing space. With a wide viewing angle, youll have a clear view of your image even when panning to extreme angles.

For easy operation, all of the most important control buttons are placed right below the LCD screen, letting you make adjustments without having to scroll through complicated menus. You can instantly turn on overlays, adjust focus and iris settings, activate talkback, and even select return program video.

The Blackmagic Studio Camera uses an active Micro Four Thirds lens mount. Choose from available MFT lenses, or use third party adapters to mount anything from common DSLR lenses to PL-mount cinema lenses, or even B4 ENG broadcast lenses.

Connections are grouped on both sides of the camera with video in and out (12G-SDI and optical fiber) and power on side, and XLR audio inputs, headphones, and LANC on the other. This lets you quickly setup and change cables as needed, while keeping them out of the way and protected during your production.

The Blackmagic Studio Camera includes a built-in optical fiber connection, allowing you to use a single thin tether cable to connect cameras to your live production switchers. The optical fiber connection is bi-directional and carries HD or Ultra HD video with embedded audio, talkback, tally, and even camera remote control. And because it uses standard, low cost fiber optic cable, you can connect cameras over large distances even at the largest outdoor venues.

Built-in talking lets the camera operator and crew communicate at all times during production. The Blackmagic Studio Camera is compatible with general aviation headset connections, letting users choose from a wide range of available headsets. And because talkback is embedded in the optical or SDI video connection to the camera, you dont have to run separate talkback cables.

The Blackmagic Studio Camera supports the tally SDI standard used on the ATEM range of live production switchers. This means that tally from the switcher is broadcast to all cameras from all video outputs of the ATEM switcher and its sent to the camera via the program video connection. Tally lights illuminate automatically when your camera is live, and will stay illuminated during multiple cameras transitions. With a light on the front for talent, and a light above the viewfinder for the operator, cast and crew can easily see which cameras are on air.

View program video from your live production switcher at the press of a button. Simply press the cameras PGM button and the viewfinder will display the program video feed from your switcher, turning the viewfinder into a large SDI monitor. You can even use the program SDI input to view playback from a local HyperDeck recorder when using the Blackmagic Studio Camera for recording.

A variety of mounting points lets you customize your rig to suit your product needs. The Blackmagic Studio Camera includes two 3/8-16 mounting points on the bottom, and ten 1/4-20 mounting points on the side and the top.

The large built-in battery lets you shoot for up to four hours on a single charge. There is also a standard 4-pin XLR power connector for external 12 to 24V power supplies. Because of the built-in battery, external batteries can be hot swapped without having to turn off the camera.

This update, which will be available as a free download for both the ATEM switchers and Blackmagic Studio Camera, allows for control of the camera from any ATEM production switcher. It works by sending the camera control commands down the SDI program feed to the camera and lets you adjust focus, iris, gain, and more. Blackmagic has also taken the primary color corrector from DaVinci Resolve and built it into the camera, which can be controlled from the ATEM switcher. This means you can control a full primary color corrector from the camera itself, letting you do more creative corrections than simple color balancing.